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Cinema of the United States From Wikipedia, the free encyclopedia Jump to: navigation, search North American cinema Cinema of Canada Cinema of Quebec Cinema of the United States Culture of the United States Architecture Cinema Comic books Cuisine Dance Literature Music Poetry Radio Sculpture Television Theater Visual arts United States cinema has had a profound effect on cinema across the world since the early 20th century. Its history is sometimes separated into four main periods: the silent film era, Classical Hollywood cinema, New Hollywood, and the contemporary period (after 1980). In 1878, Eadweard Muybridge demonstrated the power of photography to capture motion. In 1894, the world's first commercial motion picture exhibition was given in New York City, using Thomas Edison's Kinetoscope. The next year saw the first commercial screening of a projected film, also in New York, and the United States was in the forefront of sound film's development in the following decades. Since the early twentieth century, the U.S. film industry has largely been based in and around Hollywood, Los Angeles, California. Picture City, FL was also a planned site for a movie picture production center in the 1920s, but due to the devastating hurricane of 1928, the idea collapsed and Picture City was returned back to the original name of Hobe Sound. Director D. W. Griffith was central to the development of film grammar and Orson Welles's Citizen Kane (1941) is frequently cited in critics' polls as the greatest film of all time.[1] American screen actors like John Wayne and Marilyn Monroe have become iconic figures, while producer/entrepreneur Walt Disney was a leader in both animated film and movie merchandising. The major film studios of Hollywood are the primary source of the most commercially successful movies in the world, such as Star Wars (1977) and Titanic (1997), and the products of Hollywood today dominate the global film industry.[2] Contents [hide] 1 History 1.1 Origins 1.2 Rise of Hollywood 1.3 Golden Age of Hollywood 1.4 Decline of the studio system 1.5 The 'New Hollywood' and Post-classical cinema 1.6 Blockbusters 1.7 Independent film 1.8 Rise of the home video market 1.9 The Relation between Hollywood and the Politicians 2 Notable figures in U.S. film 2.1 Significant American film makers include: 2.2 Significant American actors and actresses include: 3 Bibliography 4 See also 5 References 6 External links [edit] History [edit] Origins The second recorded instance of photographs capturing and reproducing motion was Eadweard Muybridge's series of photographs of a running horse, which he captured in Palo Alto, California, using a set of still cameras placed in a row. Muybridge's accomplishment led inventors everywhere to attempt to make similar devices that would capture such motion. In the United States, Thomas Alva Edison was among the first to produce such a device, the kinetoscope, whose heavy-handed patent enforcement caused early filmmakers to look for alternatives. In the United States, the first exhibitions of films for large audiences typically followed the intermissions in vaudeville shows. Entrepreneurs began traveling to exhibit their films, bringing to the world the first forays into dramatic film-making. The first huge success of American cinema, as well as the largest experimental achievement to this
point, was The Great Train Robbery, directed by Edwin S. Porter. In the earliest days of the American film industry, New York was the epicenter of film-making. The Kaufman Astoria Studios in Queens, built during the silent film era, was used by the Marx Brothers and W.C. Fields. Chelsea, Manhattan was also frequently used. Mary Pickford, an Academy Award winning actress, shot some of her early films in this area. However, the better year-round weather of Hollywood made it a better choice for shooting. [edit] Rise of Hollywood Cinema of the United States 1890s 1890 1891 1892 1893 1894 1895 1896 1897 1898 1899 1900s 1900 1901 1902 1903 1904 1905 1906 1907 1908 1909 1910s 1910 1911 1912 1913 1914 1915 1916 1917 1918 1919 1920s 1920 1921 1922 1923 1924 1925 1926 1927 1928 1929 1930s 1930 1931 1932 1933 1934 1935 1936 1937 1938 1939 1940s 1940 1941 1942 1943 1944 1945 1946 1947 1948 1949 1950s 1950 1951 1952 1953 1954 1955 1956 1957 1958 1959 1960s 1960 1961 1962 1963 1964 1965 1966 1967 1968 1969 1970s 1970 1971 1972 1973 1974 1975 1976 1977 1978 1979 1980s 1980 1981 1982 1983 1984 1985 1986 1987 1988 1989 1990s 1990 1991 1992 1993 1994 1995 1996 1997 1998 1999 2000s 2000 2001 2002 2003 2004 2005 2006 2007 2008 2009 In early 1910, director D.W. Griffith was sent by the Biograph Company to the west coast with his acting troupe, consisting of actors Blanche Sweet, Lillian Gish, Mary Pickford, Lionel Barrymore, and others. They started filming on a vacant lot near Georgia Street in downtown Los Angeles. While there, the company decided to explore new territories, traveling several miles north to Hollywood, a little village that was friendly and enjoyed the movie company filming there. Griffith then filmed the first movie ever shot in Hollywood, In Old California, a Biograph melodrama about California in the 1800s, while it belonged to Mexico. Biograph stayed there for months and made several films before returning to New York. After hearing about Biograph's success in Hollywood, in 1913 many movie-makers headed west to avoid the fees imposed by Thomas Edison, who owned patents on the movie-making process. In Los Angeles, California, the studios and Hollywood grew. Before World War I, movies were made in several U.S. cities, but filmmakers gravitated to southern California as the industry developed. They were attracted by the mild climate and reliable sunlight, which made it possible to film movies outdoors year-round, and by the varied scenery that was available. There are several starting points for American cinema, but it was Griffith's controversial 1915 epic Birth of a Nation that pioneered the filming vocabulary that still dominates celluloid to this day. In the early 1900s, when the medium was new, many Jewish immigrants found employment in the U.S. film industry. They were able to make their mark in a brand-new business: the exhibition of short films in storefront theaters called nickelodeons, after their admission price of a nickel (five cents). Within a few years, ambitious men like Samuel Goldwyn, Carl Laemmle, Adolph Zukor, Louis B. Mayer, and the Warner Brothers (Harry, Albert, Samuel, and Jack) had switched to the production side of the business. Soon they were the heads of a new kind of enterprise: the movie studio. (It is worth noting that the US had at least one female director, producer and studio head in these early years, Alice Guy-Blaché.) They also set the stage for the industry's internationalism; the industry is often accused of Amero-centric provincialism, but simultaneously employs a huge number of foreign-born and foreign-raised talent: from Swedish actress Greta Garbo to Australians Hugh Jackman and Nicole Kidman (it should be noted Nicole Kidman is not Australian-born, but was born in Honolulu, Hawaii and moved to Australia at a very young age), from Hungarian director Michael Curtiz to Mexican director Alfonso Cuarón. Other moviemakers arrived from Europe after World War I: directors like Ernst Lubitsch, Alfred Hitchcock, Fritz Lang, and Jean Renoir; and actors like Rudolph Valentino, Marlene Dietrich, Ronald Colman, and Charles Boyer. They joined a homegrown supply of actors - lured west from the New York City stage after the introduction of sound films - to form one of the 20th century's most remarkable growth industries. At motion pictures' height of popularity in the mid-1940s, the studios were cranking out a total of about 400 movies a year, seen by an audience of 90 million Americans per week [1]. Sound also became widely used in Hollywood in the late 1920s [2]. After The Jazz Singer, the first film with synchronized voices, was successfully released as a Vitaphone talkie in 1927, Hollywood film companies would respond to Warner Bros. and begin to use Vitaphone sound - which Warner Bros. owned until 1928 - in future films. By May 1928, Electrical Research Product Incorporated (ERPI), a subsidiary of the Western Electric company, gained a monopoly over film sound distribution[3]. A side effect of the
"talkies" was that many actors who had made their careers in silent films suddenly found themselves out of work, as they often had bad voices or could not remember their lines. Meanwhile, in 1922, US politician Will H. Hays left politics and formed the movie studio boss organization known as the Motion Pictures Distributors Association of America (MPDAA) [4]. The organization became the Motion Picture Association of America after Hays retired in 1945. In the early times of talkies, American studios found that their sound productions were rejected in foreign-language markets and even among speakers of other dialects of English. The synchronization technology was still too primitive for dubbing. One of the solutions was creating parallel foreign-language versions of Hollywood films. Around 1930, the American companies opened a studio in Joinville-le-Pont, France, where the same sets and wardrobe and even mass scenes were used for different time-sharing crews. Also, foreign unemployed actors, playwrights and winners of photogenia contests were chosen and brought to Hollywood, where they shot parallel versions of the English-language films. These parallel versions had a lower budget, were shot at night and were directed by second-line American directors who did not speak the foreign language. The Spanish-language crews included people like Luis Buñuel, Enrique Jardiel Poncela, Xavier Cugat and Edgar Neville. The productions were not very successful in their intended markets, due to the following reasons: The lower budgets were apparent. Many theater actors had no previous experience in cinema. The original movies were often second-rate themselves, since studios expected that the top productions would sell by themselves. The mix of foreign accents (Castilian, Mexican, and Chilean for example in the Spanish case) was odd for the audiences. Some markets lacked sound-equipped theaters. In spite of this, some productions like the Spanish version of Dracula compare favorably with the original. By the mid-1930s, synchronization had advanced enough for dubbing to become usual. [edit] Golden Age of Hollywood During the so-called Golden Age of Hollywood, which lasted from the end of the silent era in American cinema in the late 1920s to the late 1950s, thousands of movies were issued from the Hollywood studios. The start of the Golden Age was arguably when The Jazz Singer was released in 1927, ending the silent era and increasing box-office profits for films as sound was introduced to feature films. Most Hollywood pictures adhered closely to a formula - Western, slapstick comedy, musical, animated cartoon, biopic (biographical picture) - and the same creative teams often worked on films made by the same studio. For example, Cedric Gibbons and Herbert Stothart always worked on MGM films, Alfred Newman worked at Twentieth Century Fox for twenty years, Cecil B. De Mille's films were almost all made at Paramount, and director Henry King's films were mostly made for Twentieth Century Fox. At the same time, one could usually guess which studio made which film, largely because of the actors who appeared in it; MGM, for example, claimed it had contracted "more stars than there are in heaven." Each studio had its own style and characteristic touches which made it possible to know this - a trait that does not exist today. Yet each movie was a little different, and, unlike the craftsmen who made cars, many of the people who made movies were artists. For example, To Have and Have Not (1944) is famous not only for the first pairing of actors Humphrey Bogart (1899–1957) and Lauren Bacall (1924–) but also for being written by two future winners of the Nobel Prize in Literature: Ernest Hemingway (1899–1961), the author of the novel on which the script was nominally based, and William Faulkner (1897–1962), who worked on the screen adaptation. After The Jazz Singer was released in 1927, Warner Bros. gained huge success and was able to acquire their own string of movie theaters, after purchasing Stanley Theaters and First National Productions in 1928. MGM had also owned the Loews string of theaters since forming in 1924, and the Fox Film Corporation owned the Fox Theatre strings as well. Also, RKO - another company that owned theaters - had formed in 1928 from a merger between Keith-Orpheum Theaters and the Radio Corporation of America[3] RKO responded to the Western Electric/ERPI monopoly over sound in films as well, and developed their own method, known as Photophone, to put sound in films [5]. Paramount, who already acquired Balaban and Katz in 1926, would answer to the success of Warner Bros. and RKO, and buy a number of theaters in the late 1920s as well, and would hold a monopoly on theaters in Detroit, Michigan.[4] By the 1930s, all of America's theaters were owned by the Big Five studios - MGM, Paramount Pictures, RKO, Warner Bros., and Twentieth Century Fox. [6]. Movie-making was still a business, however, and motion picture companies made money by operating under the studio system. The major studios kept thousands of people on salary - actors, producers, directors, writers, stunt men, craftspersons, and technicians. And they owned hundreds of theaters in cities and towns across the nation, theaters that showed their films and that were always in need of fresh material. In 1930, MPDDA President Will Hays created the Hays (Production) Code, which followed censorship guidelines and went into effect after government threats of censorship expanded by 1930 [7]. However, the code was never enforced until 1934, after the Catholic watchdog organization The Legion of Decency - appalled by Mae West's very successful sexual appearances in She Done Him Wrong and I'm No Angel [8]- threatened a boycott of motion pictures if it didn't go into effect [9]. Those films that didn't obtain a seal of approval from the Production Code Administration had to pay a $25,000.00 fine and could not profit in the theaters, as the MPDDA owned every theater in the country through the Big Five studios [10]. Throughout the 1930s, as well as most of the golden age, MGM dominated the film screen and had the top stars in Hollywood, and was also credited for creating the Hollywood star system altogether [11]. Some MGM stars included "King of Hollywood" Clark Gable, Lionel Barrymore, Jean Harlow, Norma Shearer, Greta Garbo, Jeanette MacDonald and husband Nelson Eddy, Spencer Tracy, Judy Garland, and Gene Kelly [12]. Another great achievement of US cinema during this era came through [[Walt Disney]'s animation company. In 1937, Disney created the most successful film of its time, Snow White and the Seven Dwarfs [13]. Also in 1939, MGM would create what is still, when adjusted for inflation, the most successful film of all time, Gone with
the Wind [14]. Many film historians have remarked upon the many great works of cinema that emerged from this period of highly regimented film-making. One reason this was possible is that, with so many movies being made, not every one had to be a big hit. A studio could gamble on a medium-budget feature with a good script and relatively unknown actors: Citizen Kane, directed by Orson Welles (1915-1985) and often regarded as the greatest film of all time, fits that description. In other cases, strong-willed directors like Howard Hawks (1896-1977), Alfred Hitchcock (1899-1980) and Frank Capra (1897-1991) battled the studios in order to achieve their artistic visions. The apogee of the studio system may have been the year 1939, which saw the release of such classics as The Wizard of Oz, Gone with the Wind, Stagecoach, Mr. Smith Goes to Washington, Wuthering Heights, Only Angels Have Wings, Ninotchka, and Midnight. Among the other films from the Golden Age period that are now considered to be classics: Casablanca, It's a Wonderful Life, It Happened One Night, the original King Kong, Mutiny on the Bounty, City Lights, Red River and Top Hat. [edit] Decline of the studio system The studio system and the Golden Age of Hollywood succumbed to two forces in the late 1940s: a federal antitrust action that separated the production of films from their exhibition; and the advent of television. In 1938 , Walt Disney's Snow White and the Seven Dwarfs was released during a run of lackluster films from the major studios, and quickly became the highest-grossing film released to that point. Embarrassingly for the studios, it was an independently-produced animated film that did not feature any studio-employed stars.[5] This stoked already widespread frustration at the practice of block-booking, in which studios would only sell an entire year's schedule of films at a time to theaters and use the lock-in to cover for releases of mediocre quality. Assistant Attorney General Thurman Arnold—a noted "trust buster" of the Roosevelt administration - took this opportunity to initiate proceedings against the eight largest Hollywood studios in July 1938 for violations of the Sherman Anti-Trust Act.[6][7] The federal suit resulted in five of the eight studios (the "Big Five": Warner Bros., MGM, Fox, RKO and Paramount) reaching a compromise with Arnold in October 1940 and signing a consent decree agreeing to, within three years: Eliminate the block-booking of short film subjects, in an arrangement known as "one shot", or "full force" block-booking. Eliminate the block-booking of any more than five features in their theaters. No longer engage in blind buying (or the buying of films by theater districts without seeing films beforehand) and instead have trade-showing, in which all 31 theater districts in US would see films every two weeks before showing movies in theaters. Set up an administration board in each theater district to enforce these requirements.[6] The "Little Three" (Universal Studios, United Artists, and Columbia Pictures), who did not own any theaters, refused to participate in the consent decree.[7][6] A number of independent film producers were also unhappy with the compromise and formed a union known as the Society of Independent Motion Picture Producers and sued Paramount for the monopoly they still had over the Detroit Theaters - as Paramount was also gaining dominance through actors like Bob Hope, Paulette Goddard, Veronica Lake, Betty Hutton, crooner Bing Crosby, Alan Ladd, and longtime actor for studio Gary Cooper too- by 1942. The Big Five studios didn't meet the requirements of the Consent of Decree during WWII, without major consequence, but after the war ended they joined Paramount as defendants in the Hollywood anti-trust case, as did the Little Three studios also [15]. The Supreme Court eventually ruled that the major studios ownership of theaters and film distribution was a violation of the Sherman Antitrust Act. As a result, the studios began to release actors and technical staff from their contracts with the studios. This changed the paradigm of film making by the major Hollywood studios, as each could have an entirely different cast and creative team. This resulted in the gradual loss of the characteristics which made MGM, Paramount, Universal, Columbia, RKO, and Fox films immediately identifiable. But certain movie people, such as Cecil B. DeMille, either remained contract artists till the end of their careers or used the same creative teams on their films, so that a DeMille film still looked like one whether it was made in 1932 or 1956. Also, the number of movies being produced annually dropped as the average budget soared, marking a major change in strategy for the industry. Studios now aimed to produce entertainment that could not be offered by television: spectacular, larger-than-life productions. Studios also began to sell portions of their theatrical film libraries to other companies to sell to television. By 1949, all major film studios had given up ownership of their theaters. Television was also instrumental in the decline of Hollywood's Golden Age as it broke the movie industry's hegemony in American entertainment. Despite this, the film industry was also able to gain some leverage for future films as longtime government censorship faded in the 1950s. After the Paramount anti-trust case ended, Hollywood movie studios no longer owned theaters, and thus made it so foreign films could be released in American theaters without censorship. This was complemented with the 1952 Miracle Decision in the Joseph Burstyn Inc. v Wilson case, in which the Supreme Court of the United States reversed its earlier position, from 1915's Mutual Film Corporation v. Industrial Commission of Ohio case, and stated that motion pictures were a form of art and were entitled to the protection of the First amendment; US laws could no longer censor films. By 1968, the Motion Picture Association of America (MPAA) had replaced the Hays Code-which was now greatly violated after the government threat of censorship that justified the origin of the code had ended- with the film rating system. [edit] The 'New Hollywood' and Post-classical cinema 'Post-classical cinema' is a term used to describe the changing methods of storytelling in the New Hollywood. It has been argued that new approaches to drama and characterization played upon audience expectations acquired in the classical period: chronology may be scrambled, storylines may feature "twist endings", and lines between the antagonist and protagonist may be blurred. The roots of post-classical storytelling may be seen in film noir, in Rebel Without a Cause (1955), and in Hitchcock's storyline-shattering Psycho. 'New Hollywood' is a term used to describe the emergence of a new generation of film school-trained directors who had absorbed the techniques developed in Europe in the 1960s; The 1967 film Bonnie and Clyde marked the beginning of American cinema rebounding as well, as a new generation of films would afterwards gain success at the box offices as well[16]. Filmmakers like Francis Ford Coppola, George Lucas, Brian de Palma, Martin Scorsese, William Friedkin and Steven Spielberg came to produce fare that paid homage to the history of film, and developed upon existing genres and techniques. In the early 1970s, their films were often both critically acclaimed and commercially successful. While the early New Hollywood films like Bonnie and Clyde and Easy Rider had been relatively low-budget affairs with amoral heroes and increased sexuality and violence, the enormous success enjoyed by Coppola, Spielberg and Lucas with The Godfather, Jaws, and Star Wars, respectively helped to give rise to the modern "blockbuster", and induced studios to focus ever more heavily on trying to produce enormous hits. The increasing indulgence of these young directors didn’t help. Often, they’d go overschedule, and overbudget, thus bankrupting themselves or the studio. The two most famous examples of this are Francis Coppola’s One From The Heart and particularly Michael Cimino’s Heaven’s Gate, which single-handedly bankrupted United Artists. [edit] Blockbusters The drive to produce a spectacle on the movie screen has largely shaped American cinema ever since. Spectacular epics which took advantage of new widescreen processes had been increasingly popular from the 1950s onwards. Since then, American films have become increasingly divided into two categories: blockbusters and independent films. Studios have focused on relying on a handful of extremely expensive releases every year in order to remain profitable. Such blockbusters emphasize spectacle, star power, and high production value, all of which entail an enormous budget.
Blockbusters typically rely upon star power and massive advertising to attract a huge audience. A successful blockbuster will attract an audience large enough to offset production costs and reap considerable profits. Such productions carry a substantial risk of failure, and most studios release blockbusters that both over- and underperform in a year. [edit] Independent film Studios supplement these movies with independent productions, made with small budgets and often independently of the studio corporation. Movies made in this manner typically emphasize high professional quality in terms of acting, directing, screenwriting, and other elements associated with production, and also upon creativity and innovation. These movies usually rely upon critical praise or niche marketing to garner an audience. Because of an independent film's low budgets, a successful independent film can have a high profit-to-cost ratio, while a failure will incur minimal losses, allowing for studios to sponsor dozens of such productions in addition to their high-stakes releases. American independent cinema was revitalized in the late 1980s and early 1990s when another new generation of moviemakers, including Spike Lee, Steven Soderbergh, Kevin Smith, and Quentin Tarantino made movies like, respectively: Do the Right Thing; Sex, Lies, and Videotape; Clerks; and Reservoir Dogs. In terms of directing, screenwriting, editing, and other elements, these movies were innovative and often irreverent, playing with and contradicting the conventions of Hollywood movies. Furthermore, their considerable financial successes and crossover into popular culture reestablished the commercial viability of independent film. Since then, the independent film industry has become more clearly defined and more influential in American cinema. Many of the major studios have capitalised on this by developing subsidiaries to produce similar films; for example Fox Searchlight Pictures. To a lesser degree in the 2000s, film types that were previously considered to have only a minor presence in the mainstream movie market began to arise as more potent American box office draws. These include foreign-language films such as Crouching Tiger, Hidden Dragon and Hero and documentary films such as Super Size Me, March of the Penguins, and Michael Moore's Bowling for Columbine and Fahrenheit 9/11. [edit] Rise of the home video market The 1980s and 1990s saw another significant development. The full acceptance of home video by studios opened a vast new business to exploit. Films such as The Secret of NIMH and The Shawshank Redemption, which performed poorly in their theatrical run, were now able to find success in the video market. It also saw the first generation of film makers with access to video tapes emerge. Directors such as Quentin Tarantino and P.T. Anderson had been able to view thousands of films and produced films with vast numbers of references and connections to previous works. This, along with the explosion of independent film and ever-decreasing costs for filmmaking, changed the landscape of American movie-making once again, and led a renaissance of filmmaking among Hollywood's lower and middle-classes—those without access to studio financial resources. With the rise of the DVD in the 21st century, DVDs have quickly become even more profitable to studios and have led to an explosion of packaging extra scenes, extended versions, and commentary tracks with the films. [edit] The Relation between Hollywood and the Politicians Hollywood, the entertainment capital of the world, is also an endless pool of money for any presidential candidate. The relation between Hollywood and Washington began with a need for Hollywood to acquire a status of power by being seen with politicians and that relation is today reversed with Washington’s need for Hollywood’s money. It all started in the beginnings of Hollywood, mostly during the moguls’ era, the founders of the studios. Douglas Fairbanks, Charlie Chaplin and Mary Pickford were used to sell war bonds for World War 1 and their image worked to attract crowds. It wasn’t so long until the moguls began looking for something else than fame and money from their successful businesses. Most of the moguls and power figures of Hollywood in the 1920s were Jews. Being a Jew in this era was seen as negative, in a time when Jews were not welcomed in America. Despite their success, the moguls did not have the respect or the social status that they wanted. By being seen with powerful politicians, they would raise their social status and assure the respect they wanted. MGM’s powerful executive Louis B. Mayer accomplished this desire by being a good friend with candidate Herbert Hoover. The role of Hollywood in national politics began with this friendship between Mayer and Hoover. From this friendship, Hoover gained the support of Mayer’s friend William Randolph Hearst, press lord and producer, in his cause. Mayer was a strong supporter of Hoover who eventually became the 31st President of the United States, and Mayer succeeded in being well respected and became an even more powerful figure in Hollywood. [8] In the 1930s the Democrats and the Republicans saw a huge pool of money in Hollywood. President Franklin Roosevelt saw a huge partnership with Hollywood. He used the first real potential of Hollywood’s stars in a national campaign. Melvyn Douglas toured Washington in 1939 and met the key New Dealers. Endorsements letters from leading actors were signed, radio appearances and printed advertising were made. The use of a star was to drawn a large audience into the political view of the party. By the 1960s John F. Kennedy and Frank Sinatra had a strong friendship in this glamour era when young Kennedy was a new face for Washington. The last moguls of Hollywood were gone and young new executives and producers began generating more liberal ideas. The celebrity and the money attracted the politicians into the high-class glittering Hollywood life-style. As Ronald Brownstein wrote in his book “The Power and the Glitter”, the television in the 1970s and 1980s was an enormously important new media into the politics and Hollywood helped in that media with actors making speeches on their political beliefs, like Jane Fonda against the Vietnam War. [9] In this era we saw former actor Ronald Reagan became Governor of California and then President of the United States. It continued with Arnold Schwarzenegger as California’s Governor in 2003. Today Washington’s interest is in Hollywood being a money provider, with its huge pool of money. On February 20, 2007, for example, Senator Barack Obama had a $2300-a-plate Hollywood gala, being hosted by David Geffen, Jeffrey Katzenberg and Steven Spielberg at the Beverly Hilton. [10] Hollywood is a huge donator for presidential campaigns and this money is attracting politicians into Hollywood. Not only is Hollywood influencing Washington with its glamour and money but Washington is also influencing Hollywood. With the help of the Pentagon and, based on Jean-Michel Valantin analysis in “Hollywood, le Pentagone et Washington”, Capitol Hill and the White House influence most notably the War films of Hollywood with their politics and ideologies. [11] [edit] Notable figures in U.S. film [edit] Significant American film makers include: Robert Aldrich Woody Allen Robert Altman Paul Thomas Anderson Wes Anderson Jack Arnold Hal Ashby Busby Berkeley Don Bluth Peter Bogdanovich Danny Boyle Frank Borzage James L. Brooks Mel Brooks Richard Brooks Tod Browning Tim Burton James Cameron Frank Capra John Carpenter John Cassavetes William Castle Charlie Chaplin Michael Cimino Joel & Ethan Coen Merian C. Cooper Francis Ford Coppola Wes Craven
Sophia Coppola Roger Corman Alan Crosland Cameron Crowe George Cukor Brian De Palma Roy Del Ruth Cecil B. DeMille Jonathan Demme Walt Disney Clint Eastwood Blake Edwards David Fincher Victor Fleming John Ford Bob Fosse John Frankenheimer William Friedkin Samuel Fuller Mel Gibson Samuel Goldwyn D.W. Griffith Henry Hathaway Howard Hawks George Roy Hill Alfred Hitchcock Ron Howard Howard Hughes John Huston Peter Jackson Jim Jarmusch Spike Jonze Buster Keaton Stanley Kubrick John Lasseter Spike Lee Mervyn LeRoy Barry Levinson Richard Linklater George Lucas Sidney Lumet David Lynch Terrence Malick Joseph L. Mankiewicz Anthony Mann Michael Mann Penny Marshall Archie Mayo John McTiernan Russ Meyer Vincente Minnelli Leo McCarey Michael Moore Christopher Nolan Alan J. Pakula Alexander Payne Sam Peckinpah Arthur Penn Sydney Pollack Bob Rafelson Sam Raimi Nicholas Ray Rob Reiner Robert Rodriguez George A. Romero Robert Rossen John Sayles Ridley Scott David O. Selznick Kevin Smith Ernest B. Schoedsack Martin Scorsese Steven Soderbergh Todd Solondz Steven Spielberg George Stevens Oliver Stone John Sturges Preston Sturges Quentin Tarantino Richard Thorpe W.S. Van Dyke Gus Van Sant King Vidor Raoul Walsh John Waters Orson Welles William A. Wellman Robert Wise Edward D. Wood, Jr. Robert Zemeckis Fred Zinnemann [edit] Significant American actors and actresses include: Jean Arthur Fred Astaire Lauren Bacall Anne Bancroft Theda Bara Ethel Barrymore John Barrymore Lionel Barrymore Kim Basinger Warner Baxter Warren Beatty Humphrey Bogart Ernest Borgnine Clara Bow Marlon Brando Walter Brennan Jeff Bridges Charles Bronson Louise Brooks Billie Burke George Burns Francis X. Bushman James Cagney Lon Chaney Montgomery Clift Lee J. Cobb Gary Cooper Kevin Costner Joseph Cotten Joan Crawford Bing Crosby Tom Cruise Billy Crystal Tony Curtis Matt Damon Bette Davis Sammy Davis, Jr. Doris Day Robert De Niro James Dean Johnny Depp Bruce Dern Danny DeVito Leonardo Di Caprio Kirk Douglas Melvyn Douglas Robert Downey Jr Richard Dreyfuss Faye Dunaway Irene Dunne Jimmy Durante Robert Duvall Clint Eastwood Douglas Fairbanks Sally Field W.C. Fields Barry Fitzgerald Henry Fonda Jane Fonda Harrison Ford Jodie Foster Morgan Freeman Clark Gable Ava Gardner Judy Garland James Garner Janet Gaynor Richard Gere John Gilbert Lillian Gish Paulette Goddard Whoopi Goldberg Gloria Grahame Gene Hackman William Haines Tom Hanks Oliver Hardy Jean Harlow Goldie Hawn Susan Hayward Rita Hayworth Tippi Hedren Audrey Hepburn Katharine Hepburn Charlton Heston Emile Hirsch Dustin Hoffman Philip Seymour Hoffman William Holden Anthony Hopkins Rock Hudson Kim Hunter Anjelica Huston Anjelina Jolie Tommy Lee Jones Buster Keaton Diane Keaton Harvey Keitel Gene Kelly Grace Kelly Nicole Kidman Alan Ladd Veronica Lake Burt Lancaster Martin Landau Jessica Lange Heath Ledger Vivien Leigh Jack Lemmon Jerry Lewis Harold Lloyd Carole Lombard Myrna Loy Shirley MacLaine Fred MacMurray Karl Malden Jayne Mansfield Fredric March Dean Martin Lee Marvin The Marx Brothers Walter Matthau Victor Mature Joel McCrea Steve McQueen Adolphe Menjou Bette Midler Liza Minnelli Thomas Mitchell Robert Mitchum Tom Mix Marilyn Monroe Bill Murray Paul Newman Jack Nicholson Kim Novak Edmond O'Brien Pat O'Brien Donald O'Connor Ryan O'Neal Al Pacino Geraldine Page Gregory Peck Sean Penn Anthony Perkins Brad Pitt Sidney Poitier William Powell Tyrone Power Vincent Price Robert Redford Donna Reed Christopher Reeve Debbie Reynolds Jason Robards Julia Roberts Paul Robeson Ginger Rogers Gena Rowlands Jane Russell Rosalind Russell Robert Ryan Roy Scheider George C. Scott Randolph Scott Peter Sellers Martin Sheen Frank Sinatra Will Smith Sissy Spacek Kevin Spacey Barbara Stanwyck James Stewart Sharon Stone Meryl Streep Barbra Streisand Gloria Swanson Liz Taylor Shirley Temple Spencer Tracy Claire Trevor Lana Turner Lee Van Cleef Jon Voight Christopher Walken Denzel Washington John Wayne Sigourney Weaver Orson Welles Mae West Richard Widmark Bruce Willis Esther Williams Robin Williams Kate Winslet Shelley Winters Natalie Wood Teresa Wright Jane Wyman [edit] Bibliography Hollywood Christopher Ames, Movies about the movies : Hollywood reflected, University Press of Kentucky, 1997 Peter Biskind: Easy Riders, Raging Bulls: How the Sex-Drugs-And Rock 'N Roll Generation Saved Hollywood. Simon and Schuster (1998). Ward Churchill, Fantasies of the Master Race: Literature, Cinema, and the Colonization of American Indians: Literature, Cinema and the Colonization of American Indians, City Lights Books.,U.S., 1998, ISBN 0872863484 George F. Custen, Twentieth Century's Fox: Darryl F. Zanuck and the Culture of Hollywood; New York: BasicBooks, 1997; ISBN 0-465-07619-X Bordwell, David; Staiger, Janet; Thompson, Kristin, The Classical Hollywood Cinema, New York: Columbia University Press, 1985 Alan Taylor, We, the media..., genre, star system, representation of news journalism, media mergers, 1976-1999, Peter Lang, 2005, pp. 418. ISBN 3-631-51852-8 Steven Alan Carr, Hollywood and anti-semitism : a cultural history up to World War II, Cambridge Univ. Press, 2001 Gene Fernett, American Film Studios: An Historical Encyclopedia; Jefferson, NC: McFarland, 1988; ISBN 0-7864-1325-5 Otto Friedrich, City of Nets: A Portrait of Hollywood in the 1940s; New York: Harper & Row, 1986; ISBN 0-06-015626-0 Neal Gabler, An empire of their own : how the Jews invented Hollywood, New York : Crown Publishers, 1988 Molly Haskell, From reverence to rape : the treatment of women in the movies, 2. ed., Univ. of Chicago Pr., 1987 Mick LaSalle, Complicated Women: Sex and Power in Pre-Code Hollywood; New York: St. Martin's Press, 2000, ISBN 0-312-25207-2 Ethan Mordden, The Hollywood Studios: House Style in the Golden Age of the Movies; New York: Alfred A. Knopf, 1988; ISBN 0-394-55404-3 Stephen Prince, A new pot of gold : Hollywood under the electronic rainbow, 1980 - 1989 (=History of the American cinema, vol. 10), New York : Scribner [etc.], 2000 Vincent F. Rocchio, Reel Racism: Confronting Construction of Afro-American Culture, Westview Press, 2000 Peter C. Rollins (ed.), Hollywood's Indian : the portrayal of the Native American in film, Univ. Press of Kentucky, 1998 Marjorie Rosen, Popcorn Venus: Women, Movies & the American Dream, New York: Coward, McCann & Geoghegan, 1973, ISBN 0-698-10545-1 Steven J. Ross, Working class Hollywood : silent film and the shaping of class in America, Princeton University Press, 1998 Jean Rouverol, Refugees from Hollywood : a journal of the blacklist years, University of New Mexico Press, 2000 Kerry Segrave, American television abroad : Hollywood's attempt to dominate world television, McFarland, 1998 Tom Shone: Blockbuster: How Hollywood Learned to Stop Worrying and Love the Summer. London, Simon & Shuster (2004). ISBN 0-7432-6838-5. Dawn B. Sova, Women in Hollywood : from vamp to studio head, New York : Fromm International Publ., 1998 John Trumpbour, Selling Hollywood to the World: U.S. and European Struggles for Mastery of the Global Film Industry, 1920-1950, Cambridge University Press 2002 Eileen Whitfield, Pickford : the woman who made Hollyood, Macfarlane Walter & Ross, 1997 American Experimental film Lauren Rabinovitz, Points of resistance : women, power & politics in the New York avant-garde cinema, 1943-71 , 2nd edition, University of Illinois Press, 2003 P. Adams Sitney, Visionary Film: The American Avant-Garde 1943-1978, Second Edition, Oxford University Press 1979 American Documentary film Bil Nichols, Newsreel: documentary filmmaking on the American left, New York : Arno Pr., 1980 Janet K. Cutler, Phyllis Rauch Klotman, ed., Struggles for Representation: African American Documentary Film and Video, Indiana University Press 2000 Independent film Peter Biskind, Down and Dirty Pictures: Miramax, Sundance and the Rise of Independent Film, Bloomsbury, 2005 Greg
Merritt, Celluloid Mavericks: A History of American Independent Film, Thunder's Mouth Press, 2001 [edit] See also Academy Awards The American Film Company Hollywood-inspired names Runaway production World cinema [edit] References ^ Village Voice: 100 Best Films of the 20th century (2001). Filmsite.org; Sight and Sound Top Ten Poll 2002. BFI. Retrieved on June 19, 2007. ^ "World Culture Report 2000 Calls for Preservation of Intangible Cultural Heritage". UNESCO. 2000-11-17. http://www.unesco.org/bpi/eng/unescopress/2000/00-120e.shtml. Retrieved on 2007-09-14. "Summary: Does Globalization Thwart Cultural Diversity?". World Bank Group. http://www1.worldbank.org/economicpolicy/globalization/thwart.html. Retrieved on 2007-09-14. ^ Thumbnail History of RKO Radio Pictures ^ The Paramount Theater Monoply ^ Aberdeen, J A (2005-09-06), Part 1: The Hollywood Slump of 1938, http://www.cobbles.com/simpp_archive/paramountcase_1slump1938.htm, retrieved on 2008-05-06 ^ a b c Consent Decree, Time Magazine, 1940-11-11, http://www.time.com/time/printout/0,8816,849344,00.html, retrieved on 2008-05-06 ^ a b Aberdeen, J A (2005-09-06), Part 3: The Consent Decree of 1940, http://cobbles.com/simpp_archive/paramountcase_3consent1940.htm, retrieved on 2008-05-06 ^ Brownstein, Ronald (1990). The power and the glitter : the Hollywood-Washington connection . Pantheon Books. ISBN 0394569385 ^ Brownstein, Ronald (1990). The power and the glitter : the Hollywood-Washington connection . Pantheon Books. ISBN 0394569385 ^ "Politicians Are Doing Hollywood Star Turns". nytimes.com. http://www.nytimes.com/2007/02/06/movies/awardsseason/06holly.html. Retrieved on 2008-02-05. ^ Valantin, Jean-Michel (2003). Hollywood, le Pentagone et Washington : les trois acteurs d'une stratégie globale. Autrement. ISBN 2746703793 Allen J Scott, Hollywood: the Place, the Industry, Princeton University Press, 2005. [edit] External links History of Hollywood's Aerial Cinematography Photo exhibit of filmmaking in Florida, presented by the State Archives of Florida Rottentomatoes.com - A large collection of movie reviews and previews from hundreds of critics [show]v • d • eCinema of the United States A–Z of films · Films by year · Academy Awards · Actors · Animators · Box office · Cinematographers · Critics · Directors · Editors · Festivals · Film series · Golden Globes · Hollywood · Movie theatres · Producers · Production companies · Score composers · Screen Actors Guild Awards · Screenwriters · Silent films · Stunt performers · AFI 100 Years · National Film Registry [show]v • d • eUnited States topics History Timeline Pre-Columbian · Colonial era (Thirteen Colonies) · Declaration of Independence · American Revolution · Territorial changes · American Civil War · Reconstruction era · African-American Civil Rights Movement (1896–1954) · World War I · Great Depression · World War II (Home front) · Cold War · Korean War · African-American Civil Rights Movement (1955–1968) · Feminist Movement · Vietnam War · Post-Cold War (1991-present) · War on Terrorism (War in Afghanistan · Iraq War) By topic Demographic · Economic · Military · Postal · Technological and industrial Federal government Law U.S. Constitution Bill of Rights Civil liberties Federalism Separation of powers Law Enforcement Department of Justice (DOJ) Federal Bureau of Investigation (FBI) Legislature - Congress House of Representatives Senate Vice President Executive - President Executive Office of the President Cabinet/Executive departments Independent agencies Policies Judiciary - Supreme Court Federal courts Courts of appeal District courts Intelligence U.S. Intelligence Community Central Intelligence Agency (CIA) Defense Intelligence Agency (DIA) National Security Agency (NSA) Military Army Marine Corps Navy Air Force Coast Guard Politics State governments · Local governments · Elections (Electoral College) · Political divisions · Political ideologies · Political parties (Democratic Party · Republican Party · Third parties) · Political scandals · Political status of Puerto Rico · Red states and blue states · Uncle Sam Geography Cities, towns and villages · Counties · Extreme points · Islands · Mountains (Appalachian · Rocky) · National Park System · Regions (New England · Mid-Atlantic · Southern · Midwestern · Great Plains · Northwestern · Southwestern) · Rivers (Mississippi · Missouri · Colorado) · States · Territory · Water supply and sanitation Economy Banking · Communications · Companies · Federal Reserve System · Insurance · Standard of living (Personal income · Household income · Homeownership · Income inequality) · Tourism · Transportation (Airports · Highways · Interstate Highway System · Passenger vehicles · Railroads · Trucking industry) · U.S. dollar · Wall Street · Total debt Society Adolescent sexuality · Crime · Demographics · Education · Health care · Health insurance · Incarceration · Languages (American English · Spanish) · Media · People · Public holidays · Religion · Social class (Affluence · American Dream · American middle class · Educational attainment · Poverty · Professional and working class conflict) · Sports Culture American literature (Beat Generation · Folklore · Harlem Renaissance · Poetry · Transcendentalism) · Architecture · Cuisine · Dance · Fashion · Flag · Music (American classical music · American folk music · American popular music · Country music · Blues · Jazz · Rock and roll) · Radio · Television / Cinema (Hollywood) · Visual arts (Abstract expressionism) Issues Abortion · Affirmative action · American exceptionalism · Anti-Americanism · Capital punishment · Drug policy / Prohibition · Energy policy · Environmental movement · Gun politics · Health care reform · Human rights · Immigration (United States–Mexico barrier · Third Border Initiative) · Obesity · Racism · Same-sex marriage Portal [show]v • d • eWorld cinema Africa Burkina Faso · Egypt · Kenya · Morocco · Niger · Nigeria · Senegal · Somalia · South Africa Americas Latin America Argentina · Brazil · Colombia · Cuba · Mexico · Paraguay · Peru · Puerto Rico · Uruguay North America Canada (Quebec) · United States Asia East Asia China (Hong Kong) · Japan · Korea · Mongolia · Taiwan South Asia Afghanistan · Bangladesh (Bengali) · India (Assamese · Bengali · Hindi · Karnataka · Malayalam · Marathi · Oriya · Punjabi · Tamil · Telugu) · Nepal · Pakistan (Karachi · Lahore · Pashto) · Sri Lanka Southeast Asia Burma · Cambodia · Indonesia · Malaysia · Philippines · Singapore · Thailand · Vietnam West Asia Armenia · Azerbaijan · Iran · Iraq · Israel · Lebanon · Palestine · Russia (Russian Empire) · Saudi Arabia · Soviet Union · Syria · Tajikistan · Turkey · U.A.E. 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227's YouTube "Chili" - STOMP THE YARD (BLACK COLLEGE STEP SHOW MOVIE) Starring Columbus Short, Meagan Good, Ne-Yo, Darrin Henson, Chris Brown, Brian White, Las Alonso, Valerie Pettiford & Harry Lennix (NBA Mix)!
Beyonce * Maxwell * Mario ft. Gucci Mane & sean Garrett * Drake ft. Lil Wayne * Ginuwine * Fabolous Featuring The-Dream * Keyshia Cole Duet With Monica * Jay-Z, Rihanna & Kanye West * Gucci Mane Featuring Plies * Mary Mary Featuring Kierra "KiKi" Sheard * Ice Cream Paint Job * Pleasure P * Mariah Carey * Trey Songz * Trey Songz Featuring Gucci Mane & Soulja Boy Tell'em * R. Kelly Featuring Keri Hilson * K'Jon * Young Money * Twista Featuring Erika Shevon * Yo Gotti * New Boyz * Jeremih * Keri Hilson Featuring Kanye West & Ne-Yo * Musiq Soulchild * Whitney Houston * Anthony Hamilton * Charlie Wilson * Chrisette Michele * Jamie Foxx Featuring T-Pain * Plies * LeToya Featuring Ludacris * Mary J. Blige Featuring Drake * Mullage * Charlie Wilson * Jamie Foxx Featuring Drake, Kanye West + The-Dream * Jamie Foxx Featuring Drake, Kanye West + The-Dream * Jeremih * Mishon * Jennifer Hudson * Clipse Featuring Pharrell Williams * Kid Cudi Featuring Kanye West & Common * Raphael Saadiq Featuring Stevie Wonder & CJ * Anthony Hamilton Featuring David Banner * Jazmine Sullivan * Trey Songz Featuring Drake * F.L.Y. (Fast Life Yungstaz) * Laura Izibor
Jamaal Al-Din's Hoops 227 (227's YouTube Chili")!
Beyonce * Shakira * Jordin Sparks * Mariah Carey * New Boyz * Jason DeRulo * Mario ft. Gucci Mane & Sean Garrett * Katy Perry * The Black Eyed Peas * Colby Caillat * Fabolous ft. The Dream * Jason Aldean * Daughtry * Lady Gaga * Michael Franti & Spearhead Featuring Cherine Anderson * Boys Like Girls * Flo Rida Featuring Ne-Yo * Dorrough * Green Day * Linkin Park * Pink * Justin Bieber * Rob Thomas * Maxwell * Jason Mraz * Young Money * The Fray * Rascal Flatts * Zac Brown Band * Shinedown * Disney's Friends For Change * Toby Keith * Darius Rucker * Cascada * Billy Currington * Justin Moore * Kid Cudi Featuring Kanye West & Common * Keith Urban * Randy Houser * Drake Featuring Lil Wayne * Jeremih * Pearl Jam * Kelly Clarkson * George Strait * LMFAO * Twista Featuring Erika Shevon * Uncle Kracker * Eric Church * Jack Ingram * Love And Theft * Parachute * Chris Young * Theory Of A Deadman * Tim McGraw * Sean Paul * Gloriana * Creed * Ginuwine * Keyshia Cole Duet With Monica * Blake Shelton * Iyaz
2009 NCAA Basketball Tournament! List of NCAA Division 1 Teams & Coaches at 227!
America East Conference Albany - Will Brown Binghamton - Kevin Broadus Boston University - Dennis Wolff Hartford - Dan Leibovitz Maine - Ted Woodward New Hampshire - Bill Herrion Stony Brook - Steve Pikiell UMBC - Randy Monroe Vermont - Mike Lonergan 227's NCAA Basketball Tournament! America East Conference
Atlantic 10 Conference Charlotte - Bobby Lutz Dayton - Brian Gregory Duquesne - Ron Everhart Fordham - Dereck Whittenburg George Washington - Karl Hobbs La Salle - John Giannini Rhode Island - Jim Baron Richmond - Chris Mooney St. Bonaventure - Mark Schmidt Saint Joseph's - Phil Martelli Saint Louis - Rick Majerus Temple - Fran Dunphy UMass - Derek Kellogg Xavier - Sean Miller 227's NCAA Basketball Tournament! Atlantic 10 Conference
Atlantic Coast Conference Boston College - Al Skinner Clemson - Oliver Purnell Duke - Mike Krzyzewski Florida State - Leonard Hamilton Georgia Tech - Paul Hewitt Maryland - Gary Williams Miami (Florida) - Frank Haith North Carolina - Roy Williams North Carolina State - Sidney Lowe Virginia - Dave Leitao Virginia Tech - Seth Greenberg Wake Forest - Dino Gaudio 227's NCAA Basketball Tournament! Atlantic Coast Conference
Atlantic Sun Conference Belmont - Rick Byrd Campbell - Robbie Laing East Tennessee State - Murry Bartow Florida Gulf Coast - Dave Balza Jacksonville - Cliff Warren Kennesaw State - Tony Ingle Lipscomb - Scott Sanderson Mercer - Bob Hoffman North Florida - Matt Kilcullen Stetson - Derek Waugh USC Upstate - Eddie Payne 227's NCAA Basketball Tournament! Atlantic Sun Conference
Big 12 Conference Baylor - Scott Drew Colorado - Jeff Bzdelik Iowa State - Greg McDermott Kansas - Bill Self Kansas State - Frank Martin Missouri - Mike Anderson Nebraska - Doc Sadler Oklahoma - Jeff Capel III Oklahoma State - Travis Ford Texas - Rick Barnes Texas A&M - Mark Turgeon Texas Tech - Pat Knight 227's NCAA Basketball Tournament! Big 12 Conference
Big East Conference Cincinnati - Mick Cronin Connecticut - Jim Calhoun DePaul - Jerry Wainwright Georgetown - John Thompson III Louisville - Rick Pitino Marquette - Buzz Williams Notre Dame - Mike Brey Pittsburgh - Jamie Dixon Providence - Keno Davis Rutgers - Fred Hill St. John's - Norm Roberts Seton Hall - Bobby Gonzalez South Florida - Stan Heath Syracuse - Jim Boeheim Villanova - Jay Wright West Virginia - Bobby Huggins 227's NCAA Basketball Tournament! Big East Conference
Big Sky Conference Eastern Washington - Kirk Earlywine Idaho State - Joe O'Brien Montana - Wayne Tinkle Montana State - Brad Huse Northern Arizona - Mike Adras Northern Colorado - Tad Boyle Portland State - Ken Bone Sacramento State - Brian Katz Weber State - Randy Rahe 227's NCAA Basketball Tournament! Big Sky Conference
Big South Conference Charleston Southern - Barclay Radebaugh Coastal Carolina - Cliff Ellis Gardner-Webb - Rick Scruggs High Point - Bart Lundy Liberty - Ritchie McKay Presbyterian - Gregg Nibert Radford - Brad Greenberg UNC-Asheville - Eddie Biedenbach VMI - Duggar Baucom Winthrop - Randy Peele 227's NCAA Basketball Tournament! Big South Conference
Big Ten Conference Illinois - Bruce Weber Indiana - Tom Crean Iowa - Todd Lickliter Michigan - John Beilein Michigan State - Tom Izzo Minnesota - Tubby Smith Northwestern - Bill Carmody Ohio State - Thad Matta Penn State - Ed DeChellis Purdue - Matt Painter Wisconsin - Bo Ryan 227's NCAA Basketball Tournament! Big Ten Conference
Big West Conference Cal Poly - Kevin Bromley Cal State Fullerton - Bob Burton Cal State Northridge - Bobby Braswell Long Beach State - Dan Monson Pacific - Bob Thomason UC Davis - Gary Stewart UC Irvine - Pat Douglass UC Riverside - Jim Wooldridge UC Santa Barbara - Bob Williams 227's NCAA Basketball Tournament! Big West Conference
Colonial Athletic Association Delaware - Monte Ross Drexel - Bruiser Flint George Mason - Jim Larranaga Georgia State - Rod Barnes Hofstra - Tom Pecora James Madison - Matt Brady Northeastern - Bill Coen Old Dominion - Blaine Taylor Towson - Pat Kennedy UNC-Wilmington - Benny Moss Virginia Commonwealth - Anthony Grant William & Mary - Tony Shaver 227's NCAA Basketball Tournament! Colonial Athletic Association
Conference USA East Carolina - Mack McCarthy Houston - Tom Penders Marshall - Donnie Jones Memphis - John Calipari Rice - Ben Braun Southern Methodist - Matt Doherty Southern Mississippi - Larry Eustachy Tulane - Dave Dickerson Tulsa - Doug Wojcik UAB - Mike Davis UCF - Kirk Speraw UTEP - Tony Barbee 227's NCAA Basketball Tournament! Conference USA
Horizon League - Butler - Brad Stevens Cleveland State - Gary Waters Detroit - Ray McCallum Loyola (Chicago) - Jim Whitesell UIC - Jimmy Collins UW-Green Bay - Tod Kowalczyk UW-Milwaukee - Rob Jeter Valparaiso - Homer Drew Wright State - Brad Brownell Youngstown State - Jerry Slocum 227's NCAA Basketball Tournament! Horizon League
Independents Bryant - Tim O'Shea Cal State Bakersfield - Keith Brown Chicago State - Benjy Taylor Houston Baptist - Ron Cottrell Longwood - Mike Gillian New Jersey Institute of Technology - Jim Engles North Carolina Central - Henry Dickerson Savannah State - Horace Broadnax SIU-Edwardsville - Lennox Forrester Texas-Pan American - Tom Schuberth Utah Valley - Dick Hunsaker 227's NCAA Basketball Tournament! NCAA Division I independent schools (basketball)
Ivy League Brown - Jesse Agel Columbia - Joe Jones Cornell - Steve Donahue Dartmouth - Terry Dunn Harvard - Tommy Amaker Penn - Glen Miller Princeton - Sydney Johnson Yale - James Jones 227's NCAA Basketball Tournament! Ivy League
Metro Atlantic Athletic Conference Canisius - Tom Parrotta Fairfield - Ed Cooley Iona - Kevin Willard Loyola (Maryland) - Jimmy Patsos Manhattan - Barry Rohrssen Marist - Chuck Martin Niagara - Joe Mihalich Rider - Tommy Dempsey St. Peter's - John Dunne Siena - Fran McCaffery 227's NCAA Basketball Tournament! Mid-American Conference
Mid-American Conference Akron – Keith Dambrot Ball State – Billy Taylor Bowling Green – Louis Orr Buffalo – Reggie Witherspoon Central Michigan – Ernie Ziegler Eastern Michigan – Charles Ramsey Kent State – Geno Ford Miami – Charlie Coles Northern Illinois – Ricardo Patton Ohio – John Groce Toledo – Gene Cross Western Michigan – Steve Hawkins 227's NCAA Basketball Tournament! Mid-American Conference
Mid-Eastern Athletic Conference Bethune-Cookman - Clifford Reed Coppin State - Ron Mitchell Delaware State - Greg Jackson Florida A&M - Mike Gillespie Hampton - Kevin Nickelberry Howard - Gil Jackson Maryland-Eastern Shore - Meredith Smith Morgan State - Todd Bozeman Norfolk State - Anthony Evans North Carolina A&T - Jerry Eaves South Carolina State - Tim Carter Winston-Salem State - Bobby Collins 227's NCAA Basketball Tournament! Mid-Eastern Athletic Conference
Missouri Valley Conference Bradley - Jim Les Creighton - Dana Altman Drake - Mark Phelps Evansville - Marty Simmons Illinois State - Tim Jankovich Indiana State - Kevin McKenna Missouri State - Cuonzo Martin Northern Iowa - Ben Jacobson Southern Illinois - Chris Lowery Wichita State - Gregg Marshall 227's NCAA Basketball Tournament! Missouri Valley Conference
Mountain West Conference Air Force - Jeff Reynolds Brigham Young - Dave Rose Colorado State - Tim Miles New Mexico - Steve Alford San Diego State - Steve Fisher Texas Christian - Neil Dougherty UNLV - Lon Kruger Utah - Jim Boylen Wyoming - Heath Schroyer 227's NCAA Basketball Tournament! Mountain West Conference
Northeast Conference Central Connecticut State - Howie Dickenman Fairleigh Dickinson - Tom Green LIU-Brooklyn - Jim Ferry Monmouth - Dave Calloway Mount St. Mary's - Milan Brown Quinnipiac - Tom Moore Robert Morris - Mike Rice Jr. Sacred Heart - Dave Bike St. Francis (PA) - Don Friday St. Francis (NY) - Brian Nash Wagner - Mike Deane 227's NCAA Basketball Tournament! Northeast Conference
Ohio Valley Conference Austin Peay - Dave Loos Eastern Illinois - Mike Miller Eastern Kentucky - Jeff Neubauer Jacksonville State - James Green Morehead State - Donnie Tyndall Murray State - Billy Kennedy Southeast Missouri - Zac Roman Tennessee-Martin - Bret Campbell Tennessee State - Cy Alexander Tennessee Tech - Mike Sutton 227's NCAA Basketball Tournament! Ohio Valley Conference
Pacific-10 Conference Arizona - Russ Pennell Arizona State - Herb Sendek California - Mike Montgomery Oregon - Ernie Kent Oregon State - Craig Robinson Stanford - Johnny Dawkins UCLA - Ben Howland USC - Tim Floyd Washington - Lorenzo Romar Washington State - Tony Bennett 227's NCAA Basketball Tournament! Pacific-10 Conference
Patriot League American - Jeff Jones Army - Jim Crews Bucknell - Dave Paulsen Colgate - Emmett Davis Holy Cross - Ralph Willard Lafayette - Fran O'Hanlon Lehigh - Brett Reed Navy - Billy Lange 227's NCAA Basketball Tournament! Patriot League
Southeastern Conference Alabama - Philip Pearson Arkansas - John Pelphrey Auburn - Jeff Lebo Florida - Billy Donovan Georgia - Pete Herrmann Kentucky - Billy Gillispie LSU - Trent Johnson Mississippi - Andy Kennedy Mississippi State - Rick Stansbury South Carolina - Darrin Horn Tennessee - Bruce Pearl Vanderbilt - Kevin Stallings 227's NCAA Basketball Tournament! Southeastern Conference
Southern Conference Appalachian State - Houston Fancher Chattanooga - John Shulman The Citadel - Ed Conroy College of Charleston - Bobby Cremins Davidson - Bob McKillop Elon - Ernie Nestor Furman - Jeff Jackson Georgia Southern - Jeff Price Samford - Jimmy Tillette UNC-Greensboro - Mike Dement Western Carolina - Larry Hunter Wofford - Mike Young 227's NCAA Basketball Tournament! Southern Conference
Southland Conference Central Arkansas - Rand Chappell Lamar - Steve Roccaforte McNeese State - Dave Simmons Nicholls State - J. P. Piper Northwestern State - Mike McConathy Sam Houston State - Bob Marlin Southeastern Louisiana - Jim Yarbrough Stephen F. Austin - Danny Kaspar Texas A&M-Corpus Christi - Perry Clark Texas-Arlington - Scott Cross Texas-San Antonio - Brooks Thompson Texas State - Doug Davalos 227's NCAA Basketball Tournament! Southland Conference
Southwestern Athletic Conference Alabama A&M - L. Vann Pettaway Alabama State - Lewis Jackson Alcorn State - Samuel West Arkansas-Pine Bluff - George Ivory Grambling State - Larry Wright Jackson State - Tevester Anderson Mississippi Valley State - Sean Woods Prairie View A&M - Byron Rimm II Southern - Rob Spivery Texas Southern - Tony Harvey 227's NCAA Basketball Tournament! Southwestern Athletic Conference
The Summit League Centenary - Greg Gary IPFW - Dane Fife IUPUI - Ron Hunter North Dakota State - Saul Phillips Oakland - Greg Kampe Oral Roberts - Scott Sutton South Dakota State - Scott Nagy Southern Utah - Roger Reid UMKC - Matt Brown Western Illinois - Derek Thomas 227's NCAA Basketball Tournament! The Summit League
Sun Belt Conference Arkansas-Little Rock - Steve Shields Arkansas State - Dickey Nutt Denver - Joe Scott Florida Atlantic - Mike Jarvis Florida International - Sergio Rouco Louisiana-Lafayette - Robert Lee Louisiana-Monroe - Orlando Early Middle Tennessee - Kermit Davis New Orleans - Joe Pasternack North Texas - Johnny Jones South Alabama - Ronnie Arrow Troy - Don Maestri Western Kentucky - Ken McDonald 227's NCAA Basketball Tournament! Sun Belt Conference
West Coast Conference Gonzaga - Mark Few Loyola Marymount - Rodney Tention Pepperdine - Vance Walberg Portland - Eric Reveno Saint Mary's - Randy Bennett San Diego - Bill Grier San Francisco - Rex Walters Santa Clara - Kerry Keating 227's NCAA Basketball Tournament! West Coast Conference
Western Athletic Conference Boise State - Greg Graham Fresno State - Steve Cleveland Hawai?i - Bob Nash Idaho - Don Verlin Louisiana Tech - Kerry Rupp Nevada - Mark Fox New Mexico State - Marvin Menzies San Jose State - George Nessman Utah State - Stew Morrill 227's NCAA Basketball Tournament! Western Athletic Conference
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Jamaal Al-Din, a native of Grand Rapids, Michigan and former leading scorer of Olympic Basketball and LSU great, Ed Palubinskas brings to you Michigan State University's and the NBA's Earvin "Magic" Johnson at 227's YouTube "MAGIC!" provided by Jamaal Al-Din's Hoops 227-the everything basketball website, featuring YouTube Videos and Wikipedia information on the legendary Earvin "Magic" Johnson, The Magic Johnson Foundation, Magic Johnson Enterprises, and everything including the magical phrase..."MAGIC!" 227's YouTube "MAGIC!"
New Feature at 227: 227's FameFifteen News!
FameFifteen is a Boise, Idaho based website with news, features and videos on Boise's "Famous" (LOL!) Check it out- FameFifteen!
As we look to expand basketball marketing, camps and clinics nationally, our basketball affiliate programs are scheduled to begin in March of 2008. Our affiliates, exciting, take a look at this list: ebay, StubHub.com, Yahoo Affiliate Program!, TickCo Premium Seating, RazorGator Affiliate Program, SightSell, VistaPrint.com, Pokeorder and WeHaveSeats.com. Jamaal Al-Din's Hoops 227 welcomes our affiliate partners for 2008. Among the items offered our NCAA & NBA basketball tickets both premium and discounted rates. Basketball shoes and apparel for kids, fans, players and coaches ranging from Air Jordans, LeBron James, NIKE, Adidas, AND1, hats, collectibles and memoralbilia! Jamaal Al-Din's Hoops 227- The everything basketball website!
New Features at 227: 227's College Campus * 227's College Campus* 227's College Campus-Stubhub tickets to college sporting events, and a complete list of colleges and universities in the United States, including Puerto Rico and Canada at Jamaal Al-Din's Hoops 227- the everything basketball website! 227's College Campus 227's NFL Football- Stubhub NFL Football tickets, as well as updated NFL news and information at Jamaal Al-Din's Hoops 227- the everything basketball website!
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227's LinkTime-Chili!!!provides navigational 227 YouTube "Chili!" links to exciting music & entertainment video webpages throught the Jamaal Al-Din's Hoops 227, everything basketball website!
?227's YouTube "Chili" features these exciting YouTube music and entertainment celebrities...click onto to these 227 YouTube "Chili" links, channels and articles for the most watched YouTube hip-hop music videos in the world!
Sean Kingston, Justin Timberlake, M.I.A'"Paper Planes!" , Timbaland, 50 Cent, P-Diddy, Kanye West. Rihanna, Chris Brown, T.I.-"Big Things Poppin!" , Rihanna- Hate That I Love You (over 29 million views on YouTube)!, Leona Lewis, Soulja Boy, Britney Spears, Alicia Keys, Avril Lavigne, Alicia Keys- No One, Akon, NE-YO, LL Cool J, Dr. Dre, Snoop Dogg, Dmx, Jay-z, The Notorious B.I.G, 2PAC, Will Smith, Jonas Brothers, Pink "So What!" , Jordin Sparks feta. Chris Brown- "No Air" Official Music Video-over 33 million views on YouTube!), Lil Jon- get low music movie, Ludacris, Ice Cube, Flo Rida feat. T.Pain Music from the Movie Step Up 2 "Low," Chris Brown*Chris Brown feat. T.Pain- Kiss Kiss (over 51 million views on YouTube)!, Chris Brown-"With You," Chris Brown feat. Lil' Wayne (over 56 million views on YouTube!, Chris Brown "YO," Chris Brown-Run It, Chris Brown- Forever, Wu Tang Clan, The Fugees, Jordin Sparks-Tattoo, Rhianna- Cry, Rihanna- unfaithful, Rhianna- Umbrella (over 43 million views on YouTube/You Tube)!, Ashanti, Fergie Fergalicious, Fergie- Clumsy!, Rhianna- Dont' Stop The Music (over 62 million views on YouTube), Avril Lavign- Girlfriend (over 92 million views on YouTube)!, Clay Aiken, Akon, Christina Aguilera-Hurt, Clay Aiken-On My Way Here, All-American Rejects, All-American Rejects-Move Along, All-American Rejects-It Ends Tonight, Ashley Parker Angel, Michael Jackson ("Thriller"), Backstreet Boys, Augustana, Natasha Bedingfeild, Michael Jackson, Natasha Bedingfield feat. Sean Kingston-Love Like This, Natasha Bedingfield-Pocketful of Sunshine and lots more at 227's YouTube Chili!!! Your source for the world's most watched YouTube Music Videos at Jamaal Al-Din's Hoops 227- the everything basketball website!
Also: Jesse McCartney, Ray J,Usher,Elliott Yamin,Jonas Brothers,Fergie,Taylor Swift, Nelly Furtado, Jennifer Lopez, Flyleaf,Maroon 5,Kanye West,Keyshia Cole, The Pussycat Dolls,Colby O'Donis,Ashanti,R. Kelly,Girlicious, Colbi Calliat, Boy George,Mario,Three Days Grace,Beyonce', Gorillaz,Carrie Underwood,3 Doors Down,Finger Eleven, Ginuwine,Baby Bash,Kid Rock,Joe, Gwen Steffani, Billy Ray Cyrus, Danity Kane, Janel Parrish, Ciara, NLT, Fall Out Boy, Josh Turner, Fantasia and more!
